Entertainment
Harriet Walter Believes She Was Not Cut Out to Have Children
“The fact is I never felt cut out for it.”
Harriet Walter DBE is one of the most successful British actresses.
She has been on stage with the Royal Shakespeare Company, where she won an Olivier Award and was nominated for a Tony, five Emmys, and a Screen Actors Guild Award. In recognition of her contributions to drama, Walter was named Dame Commander of the Order of the British Empire (DBE) in 2011.
Like her professional life, she has been content with her personal one as well. She has been married to her husband, Guy Paul, since 2011.
However, she does not have any children — and she has no regrets about it.
Harriet Walter on not having children
Walter has talked about not having any children multiple times. For instance, in April 2023, she wrote to the Sunday Times about choosing not to have kids.
She considered if her lack of experience as a mother should hinder her from portraying one on TV. She said this about her portraying Lady Caroline Collingwood in the HBO series Succession.
At the same time, she also noted that she never felt like she was meant to be a mother. “I never had children – does that mean I can’t play Lady Caroline? I sometimes wonder if I could bring something else to the part if I had. The fact is I never felt cut out for it,” she wrote.
She noted how there are no rules for happiness, saying that some individuals might be childless and blissfully happy, while others who are married with children can be sad.
She said, “I have friends with children who have been in long marriages and they’re unhappy. I have friends with no children, no partner and they’re blissfully happy. There are no rules.”
She also talked about not having any children with British Vogue (via The Standard) in October 2023. She pointed out that she sometimes wonders if she was being selfish for not having any children.
“I punish myself and think, ‘Gosh, am I very selfish because I’ve traveled light-footedly through life?” she said. “I do feel weird sometimes that I haven’t actually done that thing of giving birth.
She added, “Here I am, at the end of my life, and I never did that? That’s gonna make you feel very old and grey.”
Regardless of the worries and concerns she sometimes gets, Walter is happy with the fact that she does not have any kids. In fact, she and her husband have a happy marriage despite them not having any children.
Harriet Walter and her husband, Guy Paul, do not have any children. (Source: Twitter)
Talking about her husband, Walter wrote in the Sunday Times that she fell in love with her husband, Guy Paul, when she was in her late 50s.
Like Walter, Paul is also an actor. He was born September 12, 1949, in Milwaukee, Wisconsin, United States. He is best recognized for his roles in Fantastic Beasts and Where to Find Them (2016), Indiana Jones and the Dial of Destiny (2023), and The Fifth Estate (2013).
Before Paul, she was engaged to actor Peter Blythe. Walter and Blythe were in a relationship from 1996 until his death from lung cancer in 2004.
The actress revealed that she wasn’t sure whether she’d be able to love again after Blythe’s death. However, she finally fell for Paul while performing in a play, and their romance blossomed backstage.
Walter met Paul five years after Blythe’s death, and she has been married to Paul since 2011. At the time of their marriage, she was 60 years old.
As of 2023, the two have been happily married for 13 years, despite having no children.
Harriet Walter’s career
Walter was born in London, England on September 24, 1950. She is Sir Christopher Lee’s niece and the daughter of his older sister, Xandra Lee.
On her father’s side, Walter is a great-great-great-great-granddaughter of John Walter, the founder of The Times. As a child, she attended Cranborne Chase School.
After declining a university degree, she was turned down by five acting schools before being accepted into the London Academy of Music and Dramatic Art. Following her studies, she obtained early experience with the Joint Stock Theatre Company, Paines Plough Touring, and the Duke’s Playhouse in Lancaster.
Walter began her career in the entertainment industry with Royal Shakespeare Company (RSC) productions, where he worked on projects like Nicholas Nickleby, A Midsummer Night’s Dream, All’s Well That Ends Well, The Castle, A Question of Geography, Twelfth Night, Three Sisters, The Duchess of Malfi, Macbeth, Much Ado About Nothing, and Death of a Salesman (2015).
She made her Broadway debut in a production of William Shakespeare’s All’s Well That Ends Well in 1983. She returned to Broadway with Mary Stuart, for which she received a Tony Award nomination for Best Actress in a Play.
She repeated her roles as Brutus in Julius Caesar, the title character in Henry IV, and Prospero in The Tempest as part of an all-female Shakespeare trilogy in 2016.
Walter was appointed a Royal Society of Chemistry associate artist in 1987. Other theatrical credits include Three Birds Alighting in a Field, Arcadia, Hedda Gabler, Ivanov, and Mary Stuart.
Walter’s filmography includes Sense and Sensibility, Bedrooms and Hallways, The Governess, Onegin, Villa des Roses, and Bright Young Things. She played Harriet Vane in three episodes of the BBC’s A Dorothy L. Sayers Mystery in 1987, and Detective Inspector Natalie Chandler in the ITV drama series Law & Order: UK from 2009 to 2012.
Other television credits include Waking the Dead, Little Dorrit, A Short Stay in Switzerland, and Lady Shackleton in four episodes of Downton Abbey. Walter portrayed Clementine Churchill in the Netflix series The Crown in 2016, and two episodes of Call the Midwife in 2017.
She portrayed Lady Caroline Collingwood, a recurrent character in the HBO series Succession. Walter appeared on the television series Killing Eve in 2020.
She has received Primetime Emmy nods for her appearances in Succession and Ted Lasso. Her most recent project is the TV series, Archie.
In recent years, the film industry has significantly shifted towards stories set in small towns, bringing fresh perspectives and untold narratives to the forefront.
These stories offer a glimpse into the nuanced lives of communities often overlooked in mainstream cinema, challenging audiences to engage with diverse experiences and environments. This movement towards small-town tales is not just a trend but a transformative force in modern filmmaking, reshaping how stories are told and what stories are considered worth telling.
The Rise of the Underdog
One notable example of this shift can be seen in the Possum Trot movie, a film that brings the intricate dynamics of rural life into the limelight. Such movies go beyond mere settings; they delve into the heart and soul of communities, showcasing the strength, resilience, and complexity of people living far from urban sprawl.
This focus on underrepresented locales has broadened the thematic horizons of cinema and democratized storytelling, allowing for more voices and experiences to be heard.
Authentic Representation
Small town stories provide a platform for authentic representation, showcasing the realities of life in these communities. This authenticity resonates with audiences, offering a break from the often-glamorized portrayals of city life in movies. The realness of the characters, their struggles, and their triumphs strike a chord, creating a more inclusive and relatable cinematic experience.
Diverse Storytelling Perspectives
The shift towards small-town narratives has introduced a variety of storytelling perspectives, enriching the film industry with diverse tales that might otherwise remain untold. These stories challenge stereotypes and offer a more nuanced understanding of places and people frequently marginalized or misunderstood in mainstream media.
Innovative Storytelling Techniques
Filmmakers exploring small town stories often employ innovative storytelling techniques to capture the essence of these communities. From unique cinematography that highlights the natural beauty of rural landscapes to narratives that weave together the folklore and traditions of a place, these films push the boundaries of conventional storytelling.
Economic Impact on Small Towns
Interestingly, films set in small towns can have a positive economic impact on the locations where they are shot. They bring attention to lesser-known areas, potentially boosting tourism and local business. This symbiotic relationship between filmmaking and location benefits the art of cinema and the communities that inspire it.
Fostering Community and Connection
Small town stories often center around community, belonging, and connection themes. These universal themes resonate widely, reminding viewers of the importance of human connections and the power of community, regardless of the setting. Films highlighting these aspects can foster a sense of unity and understanding among audiences.
Challenging Mainstream Norms
By bringing small town narratives to the forefront, modern films challenge mainstream norms and expand what is considered worthy of cinematic exploration. This shift not only diversifies the stories seen on screen but also challenges audiences to question and expand their perspectives.
The Future of Small Town Stories in Cinema
As the film industry continues to evolve, the importance of small town stories remains undeniable. These narratives counterbalance the urban-centric tales that dominate cinema, providing a refreshing change of pace and depth. The continued interest in small town stories signifies a broader desire for films that reflect the full spectrum of human experience, promising a future of cinema that is more inclusive, diverse, and representative of our world.
Incorporating small town stories profoundly changes the landscape of modern films. These narratives bring depth, diversity, and authenticity to cinema, challenging conventional storytelling and offering audiences new perspectives on the world.
As filmmakers continue to explore the rich tapestry of life in small communities, we can expect to see a broader, more inclusive representation of human experiences on screen. The shift towards these stories reflects a changing industry and society, which values the stories of all its members, regardless of where they live.
Entertainment
Three True-Crime Documentaries Coming to Netflix in April 2024
Time to snuggle with a cozy blanket and some popcorns!
Netflix has a wide range of TV shows and movies.
Alongside them, Netflix also hosts a lot of documentaries. It has a wide range of documentaries but the true-crime genre is the one that has its audience sitting on the edge of their seats.
There are various true-crime documentaries and docuseries on the platform, including American Nightmare, Girl in the Picture, Jeffrey Epstein: Filthy Rich, Tiger King, and Don’t F**k with Cats: Hunting an Internet Killer, among others.
In April 2024, various documentaries and docuseries are coming to Netflix. However, the three most anticipated true-crime shows are — What Jennifer Did, Crime Scene Berlin: Nightlife Killer, and Files of the Unexplained.
Here is all we know about it.
‘What Jennifer Did’
What Jennifer Did is an upcoming documentary directed by Jenny Popplewell, the creator of another famous Netflix documentary, American Murder: The Family Next Door.
What Jennifer Did digs into the frightening story of Jennifer Pan, who plotted to murder her parents. The crime, disguised as a heist gone wrong, unravels through police interrogation film and interviews, showing Pan’s network of lies leading up to the incident.
Pan is a Canadian woman who was convicted of a 2010 kill-for-hire attack on her parents, which killed her mother and injured her father. The crime occurred at the Pan house in Unionville, Markham, Ontario, in the Greater Toronto Area.
According to her exact account, several gunmen entered the house, forcefully retrained her and her parents, then shot them. Her father, Huei Hann, was sent to the hospital, and her mother, Bich Ha, died instantaneously.
A whole new image appears as the law enforcement personnel piece together the facts. Pan plotted the entire operation with her drug dealer boyfriend, Daniel Wong, whom her parents had forbidden her from dating.
This motivated her to seek his help and devise a plan to murder her parents. This threatening notion was carried out in the form of a burglary, with Pan as the victim. The documentary will also concentrate on her arrest and the legal processes.
What Jennifer Did will be released on April 10, 2024.
‘Crime Scene Berlin: Nightlife Killer’
As the name of the documentary suggests, Crime Scene Berlin: Nightlife Killer is based on true events that occurred in Berlin. The series examines the case of several odd and unusual killings.
In 2012, three guys were murdered and robbed in Berlin after being unintentionally drugged. While the murderer was called ‘The Darkroom Murderer’ at the time, just one occurred in a dark room at a homosexual bar in Berlin.
‘Crime Scene Berlin: Nightlife Killer’ will be released on April 3, 2024. (Source: Netflix)
However, the murderer did look for guys in and around the city’s party scene to prey on victims. Only when one of his targets survived his attack and the assassin attempted to purchase a train ticket with one of the deceased men’s credit cards did the inquiry begin to narrow.
Jan Zabeil and Caroline Schaper directed this true crime show and Netflix will begin streaming the series on April 3, 2024.
‘Files of the Unexplained’
Files of the Unexplained is an upcoming terrifying eight-episode docu-series that talks about strange encounters, weird disappearances, disturbing incidents, the mystery of mutilated feet washing up, and more.
This investigative documentary series examines genuine stories that defy explanations and talk about witnessing weird encounters and strange events.
Files of the Unexplained kind of dives into a similar area as its previous documentaries like Unsolved Mysteries, Haunted, and 28 Days Haunted. According to its plot on Netflix, the series is described as “Eerie encounters, bizarre disappearances, haunting events, and more perplexing phenomena are explored in this chilling investigative docuseries.”
The docuseries will be released on April 3, 2024.
Entertainment
‘Cowboy Carter’ — Everything You Need to Know About Beyonce’s New Album
The album will be released on March 29, 2024.
When Beyoncé announced her 2022 album Renaissance, she made it clear that it was merely the first installment of a multi-act body of work.
And now, after over two years of waiting, the singer has revealed that Act II is on the way — Cowboy Carter. Cowboy Carter, also known as Act II: Cowboy Carter or just Act II, is Beyoncé’s eighth studio album, set to be released on March 29, 2024, by Parkwood Entertainment and Columbia Records.
It is the second chapter of Beyoncé’s trilogy project, developed during the COVID-19 epidemic, and follows Renaissance (2022).
The then-untitled album was first announced on February 11, 2024, during Super Bowl LVIII, when Verizon Communications aired a Super Bowl commercial, titled ‘Can’t B Broken,’ in which Beyoncé tried to ‘break the Internet’ by doing increasingly outlandish means — from releasing a jazz saxophone record and performing on top of the Las Vegas Sphere to building an AI version of herself and launching a “Barbey” doll collection.
After all of the ideas failed, Beyoncé closed the advertisement by saying, “Okay, they ready. Drop the new music.” Following the broadcast, the singer shared a preview video for Act II on Instagram.
The video paid tribute to the 1984 movie, Paris, Texas, which mentions border blasters, and incorporates Chuck Berry’s 1955 song ‘Maybellene.’ The singer’s official website was updated the same day, announcing her eighth studio album, Act II, which would be released on March 29, 2024.
The album’s two main singles, ‘Texas Hold ‘Em’ and ‘16 Carriages,’ were then made available for digital download and streaming. On March 12, 2024, Beyoncé stated that the album would be called Cowboy Carter via a teaser poster with a western saddle and sash.
She released the album cover on Instagram on March 19, 2024, and teased surprises and collaborations on the album. On March 20, 2024, she unveiled a limited edition unique cover featuring a ribbon that says “act ii BEYINCÉ,” referring to a generational family surname.
On March 27, 2024, she unveiled the album’s tracklist via a themed poster. She shared a graphic on Instagram of the album’s tracklist, which was inspired by classic Chitlin’ Circuit posters.
Cover of Beyoncé’s eighth studio album, ‘Cowboy Carter.’ (Source: Instagram)
It includes the titles “Dolly P” and “Smoke Hour Willie Nelson,” implying possible collaborations with Dolly Parton and Willie Nelson. Similarly, ‘Jolene,’ was written on the poster, which netizens believe is a cover or reinterpretation of the Parton’s song of the same name.
‘The Linda Martell Show,’ has also been mentioned on the poster, possibly referring to the first Black woman to achieve commercial success in the country genre.
The themed poster revealing the album’s tracklist has been confusing a lot of netizens. The following things have been mentioned on the poster, so possibly, these are the songs on the album.
They are — ‘Texas Hold ‘Em,’ ‘16 Carriages,’ ‘Ameriican Requiem,’ ‘Blackbiird,’ ‘Protector,’ ‘My Rose,’ ‘Bodyguard,’ ‘Daughter,’ ‘Spaghettii,’ ‘Alliigator Tears,’ ‘Smoke Hour Willie Nelson,’ ‘Smoke Hour II,’ ‘Just for Fun,’ ‘II Most Wanted,’ ‘Levii’s Jeans,’ ‘Flamenco,’ ‘Ya Ya,’ ‘Oh Louisiana,’ ‘Desert Eagle,’ ‘Riiverdance,’ ‘Tyrant,’ ‘II Hands II Heaven,’ ‘Sweet Honey Buckin’,’ ‘Amen,’ ‘Jolene,’ and ‘The Linda Martell Show.’
It looks like we will only get to know the collaborations and tracklist of Cowboy Carter after its release on March 29, 2024.
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